Play Along Piano

Tags

Opera

Handel - Son nata a lagrimar

HoltWasHere

3:52	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	52	8	5	94%
	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	52	8	5	94%
	19	0	5	4	100%
Sesto	14	0	5	6	70%
Cornelia	13	0	5	6	68%

Giacomo Puccini - Turandot Act 1: Ah! Per l'ultima volta!

H. L.

4:25	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	27	11	7	27%
	40	81	9	13	99%
	37	43	7	15	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	27	11	7	27%
	40	81	9	13	99%
	37	43	7	15	89%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)

edward.maurath

4:43	Est. Play Time
51	Measures
	1,285Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	23	0	8	4	99%
Contrabassi (Continuo)	22	0	7	4	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	23	0	8	4	99%
Contrabassi (Continuo)	22	0	7	4	97%
Violoncelli (Continuo)	21	0	7	4	97%
Cemballo (Continuo)	26	37	9	5	90%
	33	23	12	6	96%
Violins I	22	0	6	4	95%
Violins II	21	0	5	4	91%
Tenor as Goffredo	14	0	5	6	60%
Bassoon (Cembalo)	18	0	4	4	47%
Oboe	18	0	5	4	47%

"Son nata a lagrimar" from HWV 17, Giulio Cesare in Egitto

edward.maurath

6:33	Est. Play Time
40	Measures
	1,153Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
Harpsichord	19	0	5	4	100%
	19	0	5	4	100%
Celli	19	0	5	4	100%
Kontrebaß	19	0	5	4	100%
Violoncello	19	0	5	4	100%
Violas	14	0	4	4	95%
Vln 1	23	54	7	5	95%
Sesto	14	0	5	5	74%
Cornelia	13	0	5	5	72%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

Wagner - Parsifal Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

5:29	Est. Play Time
44	Measures
	1,198Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
BRATSCHEN.	25	8	18	12	93%
Violins	25	8	17	13	89%
Contrabasse.	23	0	14	10	50%
Bassoon	19	0	10	10	39%
	19	0	10	8	39%
ENGLISCHES HORN.	16	0	9	9	39%
Horn in F	22	5	8	8	38%
	15	0	8	8	34%
	19	5	7	8	31%
3 POSAUNE.	11	0	4	6	37%
B♭ Clarinet	20	0	11	9	32%
	12	0	4	8	16%
3 FAGOTT.	15	0	9	6	32%
3 CLARINETTEN. (in B)	22	6	12	10	30%
4 HORNER. (in F)	14	0	6	8	30%
BASS TUBA.	11	0	4	6	30%
CONTRAFAGOTT.	14	0	7	8	25%
Oboe	9	0	2	5	7%
	11	0	5	8	23%
Bass Trombone	10	0	4	7	23%
3 HOBOEN.	18	0	6	10	20%
Tenor Trombone	9	0	3	5	20%
BASS CLARINETTEN. (B)	10	0	6	5	14%
Floten.	10	0	3	4	5%
Pauken.	1	0	0	2	5%

Wagner - Gotterdammerung Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

4:12	Est. Play Time
43	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

"Vieni o cara" from "Rinaldo," HWV 7 (1711)

edward.maurath

5:21	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	38	7	8	100%
	25	20	8	6	97%
Violoncello	25	0	8	6	97%
Argante	17	0	5	10	80%
Contrabasses	18	0	3	6	75%
Violoncellos	17	0	3	6	74%
Violin	16	3	3	7	72%

Wagner - Parsifal Overture to Akt 3. Professional production full score.

Jamie Holdham

5:42	Est. Play Time
46	Measures
	1,181Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
BRATSCHEN.	25	8	18	12	94%
Violins	25	8	17	13	87%
Contrabasse.	23	0	14	10	49%
Bassoon	20	0	10	10	40%
	19	0	10	8	40%
ENGLISCHES HORN.	16	0	9	9	38%
Horn in F	22	5	8	8	37%
	15	0	8	8	33%
	19	5	7	8	30%
3 POSAUNE.	11	0	4	6	36%
B♭ Clarinet	21	0	11	9	33%
	12	0	4	8	16%
3 FAGOTT.	15	0	9	6	33%
3 CLARINETTEN. (in B)	22	6	12	10	30%
4 HORNER. (in F)	14	0	6	8	29%
BASS TUBA.	11	0	4	6	29%
CONTRAFAGOTT.	14	0	7	8	24%
Oboe	9	0	2	5	7%
	11	0	5	8	22%
Bass Trombone	10	0	4	7	22%
3 HOBOEN.	18	0	6	10	20%
Tenor Trombone	9	0	3	5	20%
BASS CLARINETTEN. (B)	11	0	6	5	16%
Floten.	10	0	3	4	4%
Pauken.	1	0	0	2	4%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)

edward.maurath

5:50	Est. Play Time
45	Measures
	1,422Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
Violoncello (Continuo)	20	0	5	8	95%
Cembalo (Continuo)	27	49	8	8	89%
	23	18	5	8	94%
Contrabassi (Continuo)	19	0	5	8	90%
Violas	15	0	3	8	90%
Violins 1	22	0	6	9	90%
Violins 2	22	0	4	8	90%
Violins 3	18	0	4	7	90%
Violoncelli (Continuo)	19	0	5	8	90%
Violoncello Solo	21	0	5	8	86%
Oboe	18	0	4	9	85%
Armida	17	0	6	9	68%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
Flute	15	0	3	4	75%
	17	2	3	4	75%
Esilena	16	0	6	4	71%
Cembalo (Continuo)	22	37	7	5	63%
	21	28	6	5	63%
Violoncello (Continuo)	18	0	3	5	63%
Contrabasses	14	0	0	5	43%
Violoncellos (Continuo)	14	0	0	5	43%

"Basta che sol tu chieda" from "Rinaldo," HWV 7 (1711)

edward.maurath

4:56	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	76	10	6	99%
	26	40	8	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	76	10	6	99%
	26	40	8	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Contrabasses	18	0	4	6	88%
Violoncellos	18	0	4	6	88%
Violins	22	0	5	6	87%
Argante	15	0	5	6	70%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
Harp Continuo	20	18	5	4	100%
	21	13	4	4	100%
Violoncello Continuo	20	0	4	4	100%
Contrabassi Continuo	17	0	3	4	93%
Violini	19	0	5	3	93%
Violoncelli Contniuo	18	0	3	4	93%
Cornelia	14	0	4	7	76%